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|  | |  | |  | | | The Bluegrass Sessions
(Audio CD)
by Merle Haggard | | SKU:
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Usually ships in 1 business days | | | The Hag's "first ever foray into bluegrass," as his publicist tags it, isn't really so much traditional bluegrass, even though it's produced by Ronnie Reno and released on 'grass giant Del McCoury's McCoury Music label. Instead, it's a gathering of refurbished Haggard tunes ("Big City"), several new songs from the Country Music Hall of Famer ("Pray," "What Happened?"), and a couple of nods toward the blues (a medley of Jimmie Rodgers songs, as well as the Delmore Brothers' "Blues Stay Away from Me") that helped form Haggard's country-blues-and-Western-swing core. He makes no attempt to try for a high tenor head voice, throw in a few bluegrass yips, adapt to bluegrass phrasing, or go for a lightning-fast, hard-charging bluegrass sound. But he's got the right pickers to transform his country material into something resembling the bluegrass idiom, calling on Marty Stuart to play mournful mandolin like an ensemble musician and not a star, as well as famed sidemen Carl Jackson, Rob Ickes, and Aubrey Haynie. (Alison Krauss also offers a vocal duet on "Mama's Hungry Eyes.") There are no big surprises here--"What Happened" recalls his familiar theme of America going to hell in a handbasket, and throughout he sings of a woman who left him in the lurch ("Runaway Momma," "I Wonder Where to Find You"). But the great country icon sounds inspired and almost rejuvenated here, giving his all, and taking pains to do some of the most disciplined singing of his career. --Alanna Nash | | | |
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| | Product Details | | Audio CD Release Date: | October 02, 2007 | | Studio: | Mccoury Music | | Number Of Discs: | 1 | | Average Customer Rating: | based on 25 reviews |
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| | Track Listing | | 1. | Runaway Mama | | 2. | Pray | | 3. | What Happened? | | 4. | Medley: Jimmie Rodgers Blues Medley | | 5. | Learning To Live With Myself | | 6. | Mama's Hungry Eyes | | 7. | I Wonder Where I'll Find You At Tonight | | 8. | Holding Things Together | | 9. | Big City | | 10. | Momma's Prayers | | 11. | Wouldn't That Be Something | | 12. | Blues Stay Away From Me | |
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| | Customer Reviews | Average Customer Review: Write an online review and share your thoughts with other customers.
Not bluegrass, but it's not bad . . . Aug 17, 2008 Merle Haggard is for me the Tony Bennet of country music. With age, his voice has grown mellower and even easier on the ear. He can make a song sound like a classic, even if it isn't particularly memorable. As others have said here, it's not bluegrass by a long shot, but the unplugged arrangements give an intimacy that feels nicely personal. If you like Haggard's deep, resonant voice, you'll enjoy listening to all the songs on this CD. They range from the light-hearted opener "Runaway Mama" to the tearful "Learning to Live With Myself" and the anti-urban lament "Big City." Speaking of which, it makes for great freeway listening on that slow commute home from work.
seaview May 30, 2008 I'm a great Merle Haggard fan so with this CD bluegrass style is a real plus . Love it
Good CD, Not Bluegrass. Apr 07, 2008 I like the CD very much, but it not bluegrass. It's typical Merle Haggare music, only with bluegrass type iinstraments.
1 of 1 found the following review helpful:
Okay but lacking Feb 11, 2008 I heard an interview about this CD on the radio and they played one song "Learning to Live With Myself" which I really, really liked and granted, after buying the CD, a few songs were great, but there were also the normal 'ho-hum' songs that gives this CD (for me), the need to burn the songs off of it I liked, and give the CD to the library for them to loan out - Not a keeper.
2 of 2 found the following review helpful:
Merle's best in some time Feb 09, 2008 This arrangement works. Haggard is one of the best songwriters in country music, and has one of the greatest singing voices of any genre. But his last several solo albums have not felt as inspired as this one. This album is different. The bluegrass arrangements are beautiful and perfectly complement his voice, which is gradually growing weaker as he grows older. The songwriting still bears the undeniable Haggard stamp, but the musical arrangements really breathe some fresh life into Merle's performance. It all sounds very honest; not contrived or calculated in the least. And the result is exciting, because I really didn't expect it to be as good as it is. But it is. A very difficult album not to enjoy and be moved by.
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